>For our psychological thriller we decided that we would have two main soundtracks one classical an calm and the second one sharp and tense, however, both pieces of music will sound sinister in their own way to link with our opening sequence.
>I have found some soundtracks to consider for our opening sequence:
>>This is quite upbeat but has some eeriness to it to give it that darkness, tense feeling, Dub Feral- http://incompetech.com/music/royalty-free/index.html?feels%5B%5D=Calming&feels%5B%5D=Dark&feels%5B%5D=Relaxed&Search=Search+by+Feel
>>Darkness Is Coming- It has a steady beat (almost like a heartbeat) sounds quite stalk-ish, http://incompetech.com/music/royalty-free/index.html?feels%5B%5D=Eerie&Search=Search+by+Feel
>>Static motion- http://incompetech.com/music/royalty-free/index.html?feels%5B%5D=Eerie&page=1
>>Orion 300XB, has a deep computerised anonymous voice that could be used in our opening sequence to represent the serial killer by not giving away his voice completley- http://incompetech.com/music/royalty-free/index.html?feels%5B%5D=Eerie&page=2
>>Ghostpocolypse 4 Temptress and Ghostpocolypse 2 The Call- http://incompetech.com/music/royalty-free/index.html?feels%5B%5D=Eerie&page=3
All the above soundtracks could be combined together when editing our opening sequence to have different pitches, tempos, paces throughout the sequence which would make it more interesting for the audience. These link with the theme psychological thriller as they could represent the various emotions and feelings the serial killer (antagonist) has throughout the sequence.